This is the easy way to tell what is still available. Just click on the link below. Otherwise, look at the bottom of the post. If the item is sold it will read GONE! SOLD!
ADDRESS: The Estate Store of the Community Warehouse 3969 NE MLK Jr. Blvd. Portland, Oregon 97212
The Estate Store
Hours: Open 10am to 4pm Thursday through Monday. Closed Tuesday & Wednesday Closed Monday May 28th For Memorial Day
THE Garage Sale
Hours: Open 10am to 4pm Thursday through Monday. Closed Tuesday & Wednesday Closed Monday May 28th For Memorial Day
Telephone: 503-445-1449
Email: Ed at communitywarehouse dot org
West Side Donation Center:Open Wednesday-Saturday, from 10:00 am – 4:00 p.m. at 8380 SW Nyberg Rd. Tualatin, Oregon 97062. TUALATIN STORE NOW OPEN 10:00 am – 4:00 p.m. Friday, Saturday & Sunday!
Not in Portland but want an item? We can ship most things to most places most of the time. Shipping costs for furniture are often prohibitvely expensive! If you still think you want it, contact Ed to see if we can ship what you want where you want and how much it will cost you.
In the Portland Metro area and wondering if an item is still available in the store? Contact Ed.
The story of thread ad told by the folks at Coats & Clark in 1962. Stretching from the earliest piece of sinew to the most recent (then fifth generation) leadership of Coats & Clark. This piece was produced to celebrate the 150th anniversary of the Coats & Clark thread making empire, which is still going strong at 200.
This glass tid-bit serving tray is in excellent condition, in fact it appears unused, and it measures 9 inches by 6 /4 inches.
These mushroom shaped salt and pepper shakers are straight out of the mid-1970′s and are in that lovely shade of gag-reflex green that was so popular in kitchen appliances and Volkswagen buses.
The great thing about time is that it marched on, the Volkswagen buses rusted away, the avocado kitchen appliances burnt out and all that remains are cute kitchen knickknacks like these, which evoke a sort of nostalgia for the era, without the actuality of it.
They are also perfect for use in an ultra low maintenance terrarium. The tallest one stands about 5 inches tall.
Monsters need not be frightening, intimidating or covered in scales. Monsters, as originally defined in Rome, are just different or unusual things.
Robert Maxwell was a prolific ceramicist and made a significant part of his living making monsters (typically called beasties or critters by collectors) in addition to some really fine studio pottery. Unlike the creation of Dr Frankenstein, Maxwell’s monsters never upset local villagers or resulted in their creator last being seen headed north on an Arctic ice floe. Produced prolifically in the 1960′s they did bring a sort of lasting recognition to their creator.
These are low number figures indicating they are earlier pieces. The gaping mouth monster is Figure 10 and stands 3 1/4 inches tall. The snouty monster is 4 3/4 long and is numbered as Figure 11. They are in perfect condition and we’re offering them as a pair.
Like mixing metaphors, mixing design elements can be unsuccessful, or in particularly bad cases result in explosive releases of “What The . . .?”
For example . . . at first glance this resembles a cornicello or lucky horn. But then there is the small matter of the blindfolded woman at the top which is where things seem to go somewhat awry.
I suspect (hope) that the designer/maker intended for it to symbolize blind luck.
This brass cornicello/blindfolded maiden is 7 3/4 inches long and weighs over one pound. Given the size and mass it is a bit big to be worn as jewelry.
The rules of the road in working woodlands are pretty simple: no matter what you’re doing, if an over height and over loaded truck carrying timber is careening down the road in your direction you are responsible for getting the H E double hockey sticks out-of-the-way.
If you don’t you will very much regret it, perhaps most when meeting the maître d’hôtel in a very warm place (Hi! My name is Beelzebub and I’ll be your server tonight, and every night. Smoking or non? Just kidding! Every table is smoking, as are the seats and you will be too.Salut!).
Luckily these log trucks are a little more forgiving since they are toys and only measure 5 or 6 inches long.
This is a commemorative medallion issued by a pharmaceutical company (Abbot Laboratories) which celebrates Sigmund Freud as one of the “Pathfinders in Psychiatry” series.
It is 3 inches in diameter and suitable for use as a paperweight or as a metaphor for the subconscious hangups of ones therapist.
With the passing of the rainy season and the return of sunlight we’re once again faced with a great problem: how to block the light so it doesn’t stress our unaccustomed eyes.
You could wear you sunglasses indoors or you can hang light filtering devices in your windows to break up its terrible natural brightness. Cardboard and tin foil are the traditional ‘go to’ methods of doing this, but why not step up your game a bit and use something just a tad more refined?
For example stained glass panels. They are mostly clear or textured glass so they’ll still let a lot of light through, but they have great decorative patterns too.
We have two pairs of these. The larger set is comprised of panels 26 by 14 1/2 inches and they depict a stylized dragon-fly. They are in OK shape although there are some cracks and one very small fragment of missing glass. SOLD!
The smaller set is 20 by 14 inches and shows a rose and a blue bird. They are in good shape although each panel has one cracked piece of clear flat glass. SOLD!
Vintage ’lucky’ pipe rest with horseshoe motif, jockey’s cap and riding crop. It’s a great accessory for a day at the race track or for smoking your pipe at pig number one’s straw house.
It seems to be made from some sort of cast resin and it measures 4 1/4 inches long and 2 3/4 inches wide. If you’re not a pipe smoker I can see it used for other purposes, including (but not limited to): pin tray in the sewing room, serving dish for fennel seeds after a big meal, a paper weight for when the big bad wolf is next door and the windows are open, or just as a conversation piece.
With a lovely tinkle, tinkle upon the keys Willard would play every day, beginning at half past six for the bar patrons in a basement just off Burnside. By a quarter past two in the morning he’d be the last canine sitting at the bar and the hipsters would come in and be astounded that the dog could get a last beer but they couldn’t.
The barkeeps would try to explain that he was the piano player but everyone would just look incredulous, insulted and more petulant than usual and storm out, later to vilify the establishment in anonymous on-line reviews.
The life of a working piano dog is harder than you’d think. That reach for the F above middle C is a killer if your fingers are accustomed, through genetics and use, to be digitigrade feet. The solution is to play fast and loud, like punk rock piano and hope no one notices your lack of range.
5 inches long, 4 1/4 inches wide and mercifully silent.
There, I can see the thing’s body. It’s large, large as a bear and it glistens like wet leather. But that face, it . . . Ladies and gentlemen, it’s indescribable. I can hardly force myself to keep looking at it. The eyes are black and gleam like a serpent. The mouth is V-shaped with saliva dripping from its rimless lips that seem to quiver and pulsate. The monster or whatever it is can hardly move. It seems weighed down by . . . possibly gravity or something. The thing’s raising up. The crowd falls back now. They’ve seen plenty. This is the most extraordinary experience.
Well, we ought to see some action soon. One of the companies is deploying on the left flank. A quick thrust and it will all be over. Now wait a minute! I see something on top of the cylinder. No, it’s nothing but a shadow. Now the troops are on the edge of the Wilmuth farm. Seven thousand armed men closing in on an old metal tube. Wait, that wasn’t a shadow! It’s something moving . . . solid metal . . . kind of shieldlike affair rising up out of the cylinder . . . It’s going higher and higher. Why, it’s standing on legs . . . actually rearing up on a sort of metal framework. Now it’s reaching above the trees and the searchlights are on it. Hold on!
The battle which took place tonight at Grovers Mill has ended in one of the most startling defeats ever suffered by any army in modern times; seven thousand men armed with rifles and machine guns pitted against a single fighting machine of the invaders from Mars. One hundred and twenty known survivors. The rest strewn over the battle area from Grovers Mill to Plainsboro, crushed and trampled to death under the metal feet of the monster, or burned to cinders by its heat ray. The monster is now in control of the middle section of New Jersey and has effectively cut the state through its center. Communication lines are down from Pennsylvania to the Atlantic Ocean. Railroad tracks are torn and service from New York to Philadelphia discontinued except routing some of the trains through Allentown and Phoenixville. Highways to the north, south, and west are clogged with frantic human traffic. Police and army reserves are unable to control the mad flight. By morning the fugitives will have swelled Philadelphia, Camden, and Trenton, it is estimated, to twice their normal population. At this time martial law prevails throughout New Jersey and eastern Pennsylvania.
I look down at my blackened hands, my torn shoes, my tattered clothes, and I try to connect them with a professor who lives at Princeton, and who on the night of October 30, glimpsed through his telescope an orange splash of light on a distant planet. My wife, my colleagues, my students, my books, my observatory, my. . . my world. . . where are they? Did they ever exist? Am I Richard Pierson? What day is it? Do days exist without calendars? Does time pass when there are no human hands left to wind the clocks? . . .In writing down my daily life I tell myself shall preserve human history between the dark covers of this little book that was meant to record the movements of the stars. . . But to write I must live, and to live, I must eat . . . I find moldy bread in the kitchen, and an orange not too spoiled to swallow. I keep watch at the window. From time to time I catch sight of a Martian above the black smoke. The smoke still holds the house in its black coil. . . but at length there is a hissing sound and suddenly I see a Martian mounted on his machine, spraying the air with a jet of steam, as if to dissipate the smoke. I watch in a corner as his huge metal legs nearly brush against the house. Exhausted by terror, I fall asleep. . .it’s morning. .
Suddenly, my eyes were attracted to the immense flock of black birds that hovered directly below me. They circled to the ground, and there before my eyes, stark and silent, lay the Martians, with the hungry birds pecking and tearing brown shreds of flesh from their dead bodies. Later when their bodies were examined in the laboratories, it was found that they were killed by the putrefactive and disease bacteria against which their systems were unprepared. . . slain, after all man’s defenses had failed, by the humblest thing that God in His wisdom put upon this earth. Before the cylinder fell there was a general persuasion that through all the deep of space no life existed beyond the petty surface of our minute sphere. Now we see further. Dim and wonderful is the vision I have conjured up in my mind of life spreading slowly from this little seedbed of the solar system throughout the inanimate vastness of sidereal space. But that is a remote dream. It may be that the destruction of the Martians is only a reprieve. To them, and not to us, is the future ordained perhaps.
Strange it now seems to sit in my peaceful study at Princeton writing down this last chapter of the record begun at a deserted farm in Grovers Mill. Strange to see from my window the university spires dim and blue through an April haze. Strange to watch children playing in the streets. Strange to see young people strolling on the green, where the new spring grass heals the last black scars of a bruised earth. Strange to watch the sightseers enter the museum where the dissembled parts of a Martian machine are kept on public view. Strange when I recall the time when I first saw it, bright and clean-cut, hard, and silent, under the dawn of that last great day.
Seven inches long, 5 1/2 inches wide, 2 1/4 inches tall. In excellent condition and although originally designed as an ashtray it appears unused. Suitable for use as a candy dish, pin tray or as an invasion device on unsuspecting alien worlds.
The carved wooden elephant ($5) is 3 3/4 inches tall and about 6 3/4 inches long. The glass house is 8 3/4 inches long, 5 1/4 inches tall a 9 3/4 inches high (with roof, without it is about 5 inches tall; $20).
But then they grow up and the next thing you know they’re hurtling through space from the main belt, or the Kuiper belt or the Washington Beltway intent on malevolent planetary destruction.
Maybe if you get your pet rock when its still small and trainable (1 1/2 by 1 1/4 inches, like this one) it won’t grow up to be an asteroid-hole.
Maybe not so much a hemisphere as part of a hemisphere, perhaps from the tropic to the poles. Regardless of any passing resemblance to a hockey puck it is still magical.
It must have been quite a trick to maintain the shape of a dandelion puff-ball while pouring the resin. Therein lies the magic. I could guess how it was done, but sometimes a sense of wonderment is better than the truth of how things happen.
It is 3 1/2 inches in diameter and about 1 1/2 inches tall
Unless you have a bigger fan. This plastic decorative fan is pretty big though. It measures 42 3/4 inches wide and it can be hung in three different positions.
Don’t worry though I won’t go all Annie Wilkes on you . . . which we’re both probably grateful for.
Mr. Fox, we’re just here to help you clear up this matter and our records indicate that “a few days late” was roughly 37 years.
Details! Details!
Yes Mr. Fox, details. Our records also show that you never paid the fine for this transgression which was assessed at 1/2 sou per week.
Let me see . . .1/2 sou per week at 37 years, 1,924 weeks, divide by two . . .so you’re here after a debt of 962 sou? 962 sou in a currency that went out of circulation in 1795? Seriously?
If it were only that simple Mr. Fox . . .you see there is the small matter of compound interest. If we were to calculate it at this moment in your time it would be the trifling sum of only 166,528,734.54 sou, or 33,305,746.91 livre, roughly equivalent to 133,222,987.60 United States Dollars.
That’s a lot of cash; would you take a check?
We’re not done Mr. Fox. as you may have noticed we’re not your average debt collectors, sure, we may LOOK like your average BEMs, but we are rather different. You see we recently took payment on Dave Lister’s unpaid* light bill. We’ve now travelled from three million years in the future and we’re going to assess you at the rate from that point in time.
What?!
Well Mr. Fox we wouldn’t want to upset the time space continuum and alter the course of history or anything, now would we Mr.Fox?
I suppose . . . so exactly what is due by your reckoning?
Mr. Fox we show that you owe us one Galactic Reynard.
A Galactic Reynard?
Yes, it is a unit of currency that we named after you; you should be honored at such consideration. The Reynard represents all the wealth of all known species plus one dollar and fifty-seven cents.
So . . . would you take a check?
No.
Visa?
Sorry, but your visa is expired.
Damn.
Well Mr. Fox?
Uhhh . . . would you care to step over to the ‘banking cage’ and I’ll be by in just a moment to give you the funds….
Of course Mr. Fox!
Suckers.
Reynard would like to take this opportunity to announce the sale of two (TWO!) genuine bug-eyed-monsters. The proceeds from the sale of these monsters will (of course) go to repay his massive library late fee debt and will not (of course) be squandered on a chicken dinner.
The big green monster is 5 inches tall, the not-so-big purple monster is 3 inches tall. Although they have travelled from 3 million years in the future and bear small amounts of dust (or the soul-dirt that all debt collectors bear) they are in good condition.
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*Holly: Also you left seventeen pounds, fifty pence in a
bank account. Thanks to compound interest you now own
ninety-eight percent of all the world’s wealth, but since
you’ve hoarded it for three million years nobody’s got any
money except for you and NorWEB.
Lister: Why NorWEB?
Holly: You left a light on in the bathroom. I’ve got a final demand
here for one hundred and eighty billion pounds.
Lister: A hundred and eighty billion pounds!
Vintage Carnation cream top milk bottle with label. The label is of the sort refered to by collectors as red pyroglazed.
The red part of this is fairly self explanatory but pyroglazing is an interesting process. Obviously there is an intuitive part of this in that heat was used in the process. But what process? Basically pyroglazing is a type of stenciling where lead, silica and borax were fused to the glass at a temperature of 1200 degrees Fahrenheit, over the course of four hours. This process was introduced in the middle 1930′s and helped enhance brand recognition and deter theft by other dairies.
The bottle stands 9 3/4 inches tall, held one quart and bears an intriguing little embossed mark near the base. The mark is a triangle and within that triangle is a 7 and the letters MINN.
Some resources indicate that this is a symbol used by the Liberty Glass Company, which was founded from the remains of an earlier company in 1918. In addition to the triangle mark they also typically marked the bottom of their bottles with an embossed LG and a year mark. Ours does not have the LG mark but bears a 12 inside a circle and the number 46. Presumably then this bottle was made in 1946.
As an interesting aside, Liberty glass used Lustro-Color as the trade term for their colored label process.
Years ago we had a little creepy clown figurine. Somehow* it ended up in a mandolin slicer box that was then put on a sales shelf. Poor Margaret found it and was not pleased. I think that’s understandable, how would you feel if you opened a box to see if all the parts were there only to be greeted by a little purple haired creepy thing?
He stayed around for a while but then we sold him to one of Margaret’s friends who was traveling out-of-state with her so that the clown could make another unexpected appearance.
Oddly we haven’t seen much of Margaret since.
We’re pleased to offer a slightly less creepy, but still sort of sketchy clown doll. This one is too big to fit into a mandolin slicer box, but small enough to fit in carry-on luggage. He stands (sits?) 14 inches tall and has a ceramic head and hands.
It is in good condition.
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*”Somehow.” I put it in the box intending to surprise the person pricing when they checked to see if all the parts were there. They didn’t check and so the joke had an unintended victim.
Somewhere beyond the sea somewhere waiting for me my lover stands on golden sands and watches the ships that go sailin’
This vintage (1970′s?) metal novelty music box plays “Beyond The Sea” while the lighthouse turns.
It is 6 1/4 inches long, 3 inches deep and the top of the lighthouse is 4 3/4 inches tall. I’m not a big fan of music playing knickknacks, but this one isn’t too bad. We’ve attached a video below so that you may judge for yourself.
A small old perfume bottle from Lazell’s of New York.
Lazell’s was founded in 1870 and was a prominent perfume house into the 20th century. My understanding is that they were later taken over by Max Factor, possibly in the late 1920′s.
They produced a variety of scents with some wonderful names (for a partial list see here). We don’t know what came in this wonderful little bottle. The bottle itself was made in a two piece mold but the neck and lip were hand-made so we can tell that it dates to the late 19th century. Overall it is in good condition 3 3/4 inches tall with the stopper, 2 5/8 inches without. Approximately 1 1/4 inches in diameter
The Maltese Falcon got all the attention in Hollywood, but everyone knew the Corsican Owl was the brains of the operation.
The Sardinian Kestrel had thought of doing something to change that and had even gone so far as to talk about it with close friends. This was a key oversight (he forgot that even the most muted conversations would eventually be overheard).
For years later every-time someone asked about the Kestrel, the Owl would just turn, vacantly stare and ask “Who?”
The Owl is 8 1/4inches tall, the other raptor is just under 6 inches tall.
What’s better than making things out of endangered species? Making trinkets out of extinct species! this piece of native crafted art uses fossil Walrus ivory, Mammoth ivory and Whale baleen
Signed J Kokuluk (for Jon or John) and originally sold at the Scanlon Gallery in Ketchikan, Alaska. It stands 4 1/2 inches tall and is in good condition.
In John Wayne‘s world* it’s always a minute before high noon, the sun is in your eyes and there is a cheery benevolent looking guy named Marion gazing down from on high. But with the investment of one AA battery it could be anytime you like, even party time, and the fake sun will shine in the face of Marion all through the darkest night.
10 1/4 inches wide, 12 1/4 inches tall.
“*It’s Wayne’s World, Wayne’s World, party time, excellent!
Manchester, New Hampshire, is a broken down mill town on the Merrimack River with an aggressive Chamber of Commerce and America’s worst newspaper.
Hunter S. Thompson -Fear and Loathing: On the Campaign Trail ’72 (p. 69)
It’s not in my personal top ten list of New England vacation spots, but I have to admit that Manchester itself has bounced back quite a bit since Thompson was there. Even the Chamber of Commerce has improved, they’re still aggressive, but it’s tempered by wisdom.
The Union Leader is not only the newspaper referenced by Thompson but it is also the name* of the tobacco originally sold in this tin.
While it originally contained tobacco it was designed for reuse later as a lunch or storage box. It had a wire handle in the center of the lid which is now gone. Overall the dimensions are 7 3/4 inches long by 5 1/4 inches wide by 4 1/4 inches tall.
After the long passage of time the walls of this item aren’t quite square anymore and the lid is a bit tough to close. The exterior print is in OK condition however so it’s nice bit of collectible Americana.
I’m not sure of the history of the Union Leader brand but it was for sale as early as 1913. It sprang into greater commercial prominence from the late 1920′s through the 1950′s. From what I can tell it was still manufactured into the 2000′s (and may still be) although it is seen by many pipe smokers as an ‘old codger’s’ blend.